Deconstruction of a Dress

untitled (flesh)

white

tucked

with/without

ruffle

It is not only the devaluation of craft materials and techniques that concerns Nollette, but also our society’s pervasive devaluation of the labor process in favor of the finished object.
…Her grids are not completely uniform, as the basic structure has been overlaid by movements of the hand, retaining the human presence.

—Cindy M. Bucker, Associate Curator, Grand Rapids Art Museum